Conversely, using ribbons on kick drums, in particular, can be risky due to the high-energy wind blasts that can tear apart the fragile ribbon. The risk of an accidental stick hit from the drummer would be simply too high. Even if you are the lucky owner of a vintage AKG C12 ($13k - $20k on the used market), I'd argue that you would probably hesitate to put it up close on a snare drum. One of the many benefits of the Sphere L22 is that it allows you to try out mic models that you'd never dare to use in real life. So let's explore the Sphere L22 on drums and find out what mic models are best suited for the job. We teamed up with drummer Alex Höffken (Alice Merton, Namika, Balbina) in his cozy Berlin studio to record several punchy drum examples with the Sphere L22. Large-diaphragm condensers are often used to capture the drum overheads, but they can also work really well on individual drums. So it's an area where much attention to detail is needed. Recording drums is challenging, and for rock, pop, and urban genres, the drum sound often makes or breaks the song.
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